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01-07-2013, 07:56 PM
Amazing start to your sketchbook! And it's evident that you're very determined and practice a lot and it's really showing. You have nice lines and seem to have a good grasp on digital brushes as well
What I believe you should focus on some is color variation - for example, I'm looking at a fish, clothes or armor that are built almost only of shades of the same hue - and color doesn't work that way from light to dark - it changes hues and saturation a LOT - something that you've definitely achieved when doing the studies from the masters paintings and from life. But to be able to do that from imagination I think you need to read some theory - and here's some info, I hope it is useful: color theoryThere's a lot of discussion about hue, saturation and tones there and from what I remember the LAB color picker can be a big help ![]() LINK 2 Good luck on your future drwings ![]()
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SKETCHBOOK Last edited by amemoryinblue; 01-07-2013 at 08:06 PM. |
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02-18-2013, 03:42 PM
Recently I've been doing studies, then testing myself from memory to see how much I retained. I just did a study of one of my most favorite portraits on CGHub by crowgod. You can check it out here. Anyways heres the original.
And heres the first study. Now looking at it, I see I missed alot of edge work and colors in the face And heres the first study form memory. Yeah realized how little I actually retained and paid attention in the study. Very disappointed, I wanted to redo this over and over again until I was satisfied. The second from memory The third from memory The forth from memory. Trying to get that pale skin tone but made it too pink. The fifth form memory And the sixth from memory I don't know whether it is a good idea to do studies from artists currently in the field and in the end I'm not satisfied with the final result, but I feel that I learned alot more doing this than what I usually would with a study.
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02-18-2013, 07:00 PM
I think yuor studies are very nice. The memory aspect you're doing is interesting way of doing them, but like in the last example I wouldn't beat yourself up too much about the "from memory" part. You did well with it to me as you in each attempt remembers one or more aspects of the original image, but it had more of yourself in it. This is a good thing as it comes off more as an interpretation than a typical master copy. It is inherently better to do studies from life in my opinion as there is little visual bias compared to an artists work where they have a certain way of seeing or rendering their subject.
Theres nothing wrong with studying from either though. Overall you're studies are coming along quite well and I hope to see you push yourself further. I love the lord of the rings studies as well, those came out quite well! Keep it up!
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What I believe you should focus on some is color variation - for example, I'm looking at a fish, clothes or armor that are built almost only of shades of the same hue - and color doesn't work that way from light to dark - it changes hues and saturation a LOT - something that you've definitely achieved when doing the studies from the masters paintings and from life. But to be able to do that from imagination I think you need to read some theory - and here's some info, I hope it is useful: 


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